Overcoming Nerves & Performing with Confidence – Tips for Ukulele Players
- Matt Stead
- Aug 7
- 3 min read
🎵 Overcoming Nerves & Performing with Confidence – Tips for Ukulele Players
Whether you’re about to perform at an open mic, play for friends, or just hit "record" on your camera, nerves are totally normal — and you’re not alone.
I just got back from a festival where I didn't follow my own advice and I stumbled through several songs because I wasn't prepared enough. So I know all too well the perils of stage fright or the anxiety when that 'record light' comes on.
In this post, I’m sharing some of my favourite tips from a recent live lesson on how to feel calmer, more in control, and actually enjoy performing.

🎯 1. Play It So Much You Can’t Go Wrong
One of the best things you can do is build muscle memory. Practice your piece so often that it becomes second nature. I’ve found that when I return to a piece I performed months ago, I always play it better — not because I practiced more, but because my fingers remember where to go.
Repetition builds trust in yourself. It’s how your playing goes from “thinking” to “feeling.”
🧠 2. Get in the Right Headspace
This one’s especially useful for emotional fingerstyle pieces. Try to forget the audience is there. I often trick my brain into thinking I’m playing just for myself. If I know a piece well, I’ll even close my eyes — it helps me connect deeply with the music.
For upbeat or interactive performances, this approach might not work — but for gentle, personal pieces, it’s a game-changer.
⚠️ 3. Be Prepared for Surprises
Playing live is a different beast from practicing at home. You might encounter:
Stage lighting
Wind blowing your sheet music
Needing to plug in or adjust gear
Standing with a strap
Background noise
It helps to arrive early, get used to the space, and set everything up calmly. The more prepared you are for surprises, the less they’ll rattle you.
Practice how you'll perform as well. If you'll be playing standing with a strap - practice exactly that way.
🧘 4. Acknowledge the Nerves
Don’t try to pretend the nerves aren’t there — that rarely works. Acknowledge them, even thank them! It shows you care. Channel that energy into focus and intention.
Your audience wants you to succeed. They’re not looking for perfection — they’re looking to feel something. This leads me onto:
🧘 5. Remember the audience is on your side
* Audiences want you to succeed- they're your friends, not your enemies!
* If something goes wrong, smile, take a breath, and maybe even make a joke.
* Whether it's one person or 500, they're cheering you on. You've got this.
🌱 6. Reframe Mistakes
Mistakes happen to every musician. I know! It happens to me ALL THE TIME! The trick is learning how to carry on with confidence. A stumble doesn’t ruin a performance — how you recover does.
Instead of thinking:
“What if I mess up?”Try:“If something goes wrong, I’ll keep playing and connect back to the music.”
Often the audience doesn’t even notice unless we show them something went wrong.
If you take just one thing away from this blog:
Your job isn't to be perfect - it's to share something real - Matt
🎬 Watch the Full Live Lesson
Want to go deeper? Watch the full video on Overcoming Nerves & Performing with Confidence – Tips for Ukulele Players.
Watch the full live lesson here:👉 Overcoming Nerves & Performing – YouTube Live Replay
🎓 Want More Help Building Confidence?
Confidence comes from experience, mindset, and the right support. In my structured courses, I break things down step-by-step — so you always feel like you're making progress.


Matt is soooooo right! Preparation is key. Case in point: Way back in the 80s, I had to sing a solo in front of an audience. It was a musical theatre piece, "Oh To Be A Movie Star". I didn't know the musical (still don't - "The Apple Tree", 1966), and I didn't practice enough. I was over-confident in my ability to remember the lyrics. Well.... I lost the lyrics after the first verse. Instant panic. Thought I was going to throw up. Heart palpitations, sweating, red face. Travelled from one side of the stage to the other, acting and panicking, hoping the words would pop into my head. They didn't. My sister was the director of the …